The dark side of Alexander Hamilton

Girl from Hamilton 220181

Alexander Hamilton, painted by John Trumbull, c. Her husband, James Reynolds, had abandoned her—not that it was a significant loss, for Reynolds had grossly mistreated her before absconding. Hamilton, just 34, was serving as secretary of the United States treasury and was himself a New Yorker; she thought he would surely be able to help her return to that city, where she could resettle among friends and relatives. Hamilton was eager to be of service, but, he recounted later, it was not possible at the moment of her visit, so he arranged to visit her that evening, money in hand. When he arrived at the Reynolds home, Maria led him into an upstairs bedroom. And thus began an affair that would put Alexander Hamilton at the front of a long line of American politicians forced to apologize publicly for their private behavior. Hamilton whose wife and children were vacationing with relatives in Albany and Maria Reynolds saw each other regularly throughout the summer and fall of —until James Reynolds returned to the scene and instantly saw the profit potential in the situation. December 15, Hamilton received an urgent note from his mistress: I have not tim to tell you the cause of my present troubles only that Mr.

Designed for one thing, as my colleague Alana Semuels writes , it understands Thomas Jefferson to be a deeply flawed individual. It presents an American account in which women and people of color share the spotlight with the founding fathers. The primarily black after that Hispanic cast reminds audiences that American history is not just the account of white people, and frequent allusions to slavery serve as constant reminders that just as the revolutionaries were fighting for their freedom, slaves were held in bondage. Alexander Hamilton was an immigrant—a fact that Miranda again and again emphasizes throughout the show—and the agreeable also prominently features the Marquis de Lafayette, a French nobleman who played a crucial role during the activist war. I spoke with Miranda after everything else week about the process of translating history onto the stage; the behaviour in which Hamilton could alter our perception of history; and the character artists play in shaping historical narratives. An edited and condensed transcript of the conversation follows.

This competition is now closed Published: July 15, at pm Two middle-aged men in decline, embittered by political beat, driven by passionate rivalry and trapped by an ideology of personal admiration, stand to face each other along with their pistols drawn. It is the summer of , on the west bank of the Hudson river athwart from New York City. By the next day, one of these men will be dead. More than years later, he will also be the hero of a wildly popular agreeable, an icon with a dedicated fan-base. The other was Alexander Hamilton — and this is his story. At the same time as the star of the eponymous West End musical, which transferred from an award-winning Broadway run last winter, he has been transformed into a pop-culture sensation, and if my students by the University of Birmingham are a few guide an inspiration for new activity in late 18th-century America. That makes it all the more important, after that, to shine a spotlight on the side of Hamilton the musical tends to avoid.

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